Write my english biography

Autobiography My name is Michael Smith and I was born on the. Oana Manta, senior in English, enjoys binge watching good shows, ice skating, and supporting the Blackhawks. Oana studied biological sciences before switching over to English. My mom died at the age of 57 in 1994 from lung cancer which was the result of. My early childhood was a typical middle class environment circa the 1960's.

What is the best way to start writing a biography of my Dad? - Quora Summary: The Modes of Discourse—Exposition, Description, Narration, Argumentation (EDNA)—are common paper assignments you may encounter in your writing classes. Although these genres have been criticized by some composition scholars, the Purdue OWL recognizes the wide spread use of these approaches and students’ need to understand and produce them. A lot of my suggestions would depend on the context of your biography. Are you writing this as. He grew up on a rural farm, learned English, came to the states with my Mom, got a great job, made sure my sister and I never had to worry about.

PediaAutobiography - pedia The Power Point is a structured guide to the lesson with timings which can be used alongside the planning page and other activities. I used this as a follow up to a solo talk the children prepared on a famous person for their 1960's topic. The Power Point and Planning Page were created by myself. The biography example is a photocopiable example from the Time For Kids website which I adapted to meet the Success Criteria I was teaching. This page documents an English pedia content guideline. Writing an autobiography on pedia is an example of conflict of interest editing and. like "I was the first to create this widget," or "My book was the bgest seller that year," a.

How to Write an Awesome Bio Page for Your Photography Website. William Shakespeare was an English poet, playwright, and actor. He was born on 26 April 1564 in Stratford-upon-Avon. His father was a successful local businessman and his mother was the daughter of a landowner. Shakespeare is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He wrote about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, of which the authorship of some is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare married Anne Hathaway at the age of 18. They had three children: Susanna, and twins Hamnet and Judith. After his marriage information about his life became very rare. But he is thought to have spent most of his time in London writing and performing in his plays. Between 15, he began a successful career in London as an actor, writer, and part-owner of a playing company called the . He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". Around 1613, at the age of 49, he retired to Stratford , where he died three years later. In his will, Shakespeare left the bulk of his large estate to his elder daughter Susanna. Shakespeare produced most of his known work between 15. His early plays were mainly comedies and histories and these works remain regarded as some of the best work produced in these genres. He then wrote mainly tragedies until about 1608, including , considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Shakespeare's plays remain highly popular today and are constantly studied, performed, and reinterpreted in diverse cultural and political contexts throughout the world. Follow Tanya's easy formula for writing a powerful bio page that will. Here are some tips for writing your bio I've garnered over the years from my good friend. all rules about punctuation at least from the English language.

Narrating Your Professional Life Writing the Academic Bio. Speak, I like to chat with people, shaking hands and signing books afterward. Often during those times, someone will say something like, “I wish I could spend a day with you.” It makes me chuckle because, well, my days are pretty dull. Yes, it’s exciting to speak to an audience, and I truly love meeting and helping people. Because the secret to your success can be found in your daily agenda. But most of my life consists of regular routines and steady disciplines. The first step in determining your daily routine is figuring out what really matters to you. Second, I look at the next day to see what I need to accomplish. You can’t prioritize if you don’t know your priorities. I know I can’t be at the top of my game every minute of the day. If you’re not certain of your principles, you can look at my pledges below and use them as a starting point. Attitude: I will display the right outlook daily.2. With that for context, I’ll walk you through my typical day and teach you how to make yours as effective as possible. You will never make the most of the day that’s coming until you evaluate the day that has passed. So I look at my schedule and to-do list and decide what will be the main event. If you can figure out the best possible way to spend four, eight or 12 hours, you can be successful. Priorities: I will act on the things most important to me daily.3. Family: I will communicate with and care for my loved ones daily.5. Commitment: I will make and keep proper promises daily.7. Faith: I will deepen and live out my faith daily.9. Prepare the Night Before If it’s going to be successful, my day has to start the night before. Then I make certain I can give my all to that most important thing. Ask the Right Question in the Morning Because I wake up knowing how I will spend my day, I’m able to hit the ground running. Relationships: I will initiate and invest in solid relationships daily.10. That leaves me with just one question to consider each morning: How can I add value to people today? 1 time-waster for most people is searching for lost items. That way I can retrieve it within seconds or minutes.3. I help others primarily through books and speeches. Look in my briefcase or on my desk and you’ll find files of material I’m working with to create new lessons and ideas.4. Perhaps the most valuable thing I do every day is stop doing and just think. Asking this puts me in the right frame of mind as I approach my responsibilities. If I look for ways to add value to those I encounter, I will likely be satisfied with how I use my day. I evaluate experiences, weigh opportunities, consider how to help my team and ask God for guidance.5. Good questions unlock doors and reveal opportunities. Give Your Best Parts of my day are routinely the same: I prepare at night. I try to carve out time to exercise in the afternoons when I’m at home or in the early mornings when I’m on the road. Other times I’ll be in meetings with leaders of my teams. Or I’ll be recording or thinking through future projects. Success in life and leadership consists of being good in the moment. I also listen to podcasts and other audio messages, the best of which I have transcribed.2. I feel so strongly about this that I wrote a book called , which will come out in October. And I do things to help me grow personally (more on that shortly). If you can be totally present physically, emotionally, mentally and spiritually, you become a “100-percenter,” and those people are the ones who rise to the top and make a difference. Renew Your Preparation When I reach the end of the day, I repeat the process. The best “100-percenter” I ever met was Bill Clinton. If I’ve added value to others, then I have done something to make my family, community and country a better place to live. I got the opportunity to meet him at the White House during his second term. In our short time together, he focused completely on our conversation and made me feel important. I grow by practicing what I call the “Rule of Five”—five things that I do every day: 1. Learn If you do everything I’ve listed, you will be able to add value to people and have a successful day. This post is based on my limited experience writing and reading a variety of. Like Maureen suggests, writing an academic bio is hard.

How to Write an Autobiography The Secret Tips to Finally Get. FAITH | LEARNING | COMMUNITYIn the way of Jesus, St Joseph’s Catholic High School aspires to respect and celebrate the dignity of all. Inspired by the life of St Joseph, the school promotes a culture of faith, justice and service. Working in partnership with parish, staff, students, parents and a wider community, St Joseph’s aims to foster the development of spiritual, physical, intellectual and emotional growth so that each member, using their God-given talents, reaches their potential. Want to write a autobiography about your life but don't know where to start or. At least in my opinion, an autobiography is about the life of the writer. as in how did I use English then to communicate compared to today.

English vs. Bio Writing Center Writing a Professional Bio Writing a Bio for a College Application Writing a Personal Bio Sample Bios Community Q&A A personal bio is a great way to express to people who you are and what you do. Whether your bio is for a college application, a professional website, or a social media account, take your time and be thoughtful about what you write so you get the right message across. When you write a personal bio, write in the third person so it sounds more objective and professional. Start with a sentence that includes your name and what you do for a living. Then, mention your most important accomplishments that are relevant to your field of work. Briefly mention a couple of your hobbies or interests to make your bio more relatable. End with a sentence on any big projects you’re currently working on. For help writing a personal bio for college applications or social media, keep reading! During my first three years at UIC, I was a biological sciences major. This meant that most of my writing was composed of research papers and lab reports.

Autobiographies - BYU ELC - Brham Young University Langston Hughes was first recognized as an important literary figure during the 1920s, a period known as the "Harlem Renaissance" because of the number of emerging black writers. Our aim ought to be [to] present to the general public, already misinformed both by well meaning and malicious writers, our higher aims and aspirations, and our better selves." Commenting on reviewers like Gay, Hughes wrote: "I sympathized deeply with those critics and those intellectuals, and I saw clearly the need for some of the kinds of books they wanted. Du Bose Heyward wrote in the in 1926: "Langston Hughes, although only twenty-four years old, is already conspicuous in the group of Negro intellectuals who are dignifying Harlem with a genuine art life. But I did not see how they could expect every Negro author to write such books. It is, however, as an individual poet, not as a member of a new and interesting literary group, or as a spokesman for a race that Langston Hughes must stand or fall. Bad enough to have white authors holding up our imperfections to public gaze. In his autobiographical characterized me as 'the poet low-rate of Harlem.' Others called the book a disgrace to the race, a return to the dialect tradition, and a parading of all our racial defects before the public. "Why should it be paraded before the American public by a Negro author as being typical or representative of the Negro? Always intensely subjective, passionate, keenly sensitive to beauty and possessed of an unfaltering musical sense, Langston Hughes has given us a 'first book' that marks the opening of a career well worth watching." Despite Heyward's statement, much of Hughes's early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life. (And still are.) In anything that white people were likely to read, they wanted to put their best foot forward, their politely polished and cultural foot—and only that foot." An example of the type of criticism of which Hughes was writing is Estace Gay's comments on "It does not matter to me whether every poem in the book is true to life," Gay wrote. The Negro critics and many of the intellectuals were very sensitive about their race in books. Certainly, I personally knew very few people anywhere who were wholly beautiful and wholly good. Besides I felt that the masses of our people had as much in their lives to put into books as did those more fortunate ones who had been born with some means and the ability to work up to a master's degree at a Northern college. Anyway, I didn't know the upper class Negroes well enough to write much about them. I knew only the people I had grown up with, and they weren't people whose shoes were always shined, who had been to Harvard, or who had heard of Bach. Fuller commented that Hughes "chose to identify with plain black people—not because it required less effort and sophistication, but precisely because he saw more truth and profound significance in doing so. Perhaps in this he was inversely influenced by his father—who, frustrated by being the object of scorn in his native land, rejected his own people. Serious white critics ignored him, less serious ones compared his poetry to Cassius Clay doggerel, and most black critics only grudgingly admired him. Perhaps the poet's reaction to his father's flight from the American racial reality drove him to embrace it with extra fervor." (Langston Hughes's parents separated shortly after his birth and his father moved to Mexico. Some, like James Baldwin, were downright malicious about his poetic achievement. Lindsay Patterson, a novelist who served as Hughes's assistant, believed that Hughes was "critically, the most abused poet in America. But long after Baldwin and the rest of us are gone, I suspect Hughes' poetry will be blatantly around growing in stature until it is recognized for its genius. Hughes' tragedy was double-edged: he was unashamedly black at a time when blackness was demode, and he didn't go much beyond one of his earliest themes, black beautiful. He had the wit and intelligence to explore the black human condition in a variety of depths, but his tastes and selectivity were not always accurate, and pressures to survive as a black writer in a white society (and it was a miracle that he did for so long) extracted an enormous creative toll." Nevertheless, Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations. Although Hughes had trouble with both black and white critics, he was the first black American to earn his living solely from his writing and public lectures. Part of the reason he was able to do this was the phenomenal acceptance and love he received from average black people. A reviewer for noted in 1970: "Those whose prerogative it is to determine the rank of writers have never rated him highly, but if the weight of public response is any gauge then Langston Hughes stands at the apex of literary relevance among Black people. The poet occupies such a position in the memory of his people precisely because he recognized that 'we possess within ourselves a great reservoir of physical and spiritual strength,' and because he used his artistry to reflect this back to the people. He used his poetry and prose to illustrate that 'there is no lack within the Negro people of beauty, strength and power,' and he chose to do so on their own level, on their own terms." Hughes brought a varied and colorful background to his writing. Before he was twelve years old he had lived in six different American cities. When his first book was published, he had already been a truck farmer, cook, waiter, college graduate, sailor, and doorman at a nightclub in Paris, and had visited Mexico, West Africa, the Azores, the Canary Islands, Holland, France, and Italy. Simple knows he is, and he knows that the status of expatriate offers no solution, no balm. As David Littlejohn observed in his "On the whole, Hughes' creative life [was] as full, as varied, and as original as Picasso's, a joyful, honest monument of a career. Hughes' [greatness] seems to derive from his anonymous unity with his people. Simple lived in a world they knew, suffered their pangs, experienced their joys, reasoned in their way, talked their talk, dreamed their dreams, laughed their laughs, voiced their fears—and all the while underneath, he affirmed the wisdom which anchored at the base of their lives. The struggle is here, and it can only be won here, and no constructive end is served through fantasies and illusions and false efforts at disguising a basic sense of inadequacy. Profound because it was both willed and ineffable, because some intuitive sense even at the beginning of his adulthood taught him that humanity was of the essence and that it existed undiminished in all shapes, sizes, colors and conditions. There [was] no noticeable sham in it, no pretension, no self-deceit; but a great, great deal of delight and smiling irresistible wit. He to speak for millions, which is a tricky thing to do." Hughes reached many people through his popular fictional character, Jesse B. Simple is a poor man who lives in Harlem, a kind of comic no-good, a stereotype Hughes turned to advantage. Simple is a well-developed character, both believable and lovable. It was not that ideas and events and places and people beyond the limits of Harlem—all of the Harlems—did not concern him; these things, indeed, were a part of his consciousness; but Simple's rock-solid commonsense enabled him to deal with them with balance and intelligence. Simple also knows that the strength, the tenacity, the commitment which are necessary to win the struggle also exist within the Black community." Hoyt W. Violations of that humanity offended his unshakable conviction that mankind is possessed of the divinity of God." It was Hughes's belief in humanity and his hope for a world in which people could sanely and with understanding live together that led to his decline in popularity in the racially turbulent latter years of his life. If he seems for the moment upstaged by angrier men, by more complex artists, if 'different views engage' us, necessarily, at this trying stage of the race war, he may well outlive them all, and still be there when it's over. He tells his stories to Boyd, the foil in the stories who is a writer much like Hughes, in return for a drink. The situations he meets and discusses are so true to life everyone may enter the fun. He injects the ordinary with his own special insights. Fuller believed that, like Simple, "the key to Langston Hughes . Unlike younger and more militant writers, Hughes never lost his conviction that " Laurence Lieberman recognized that Hughes's "sensibility [had] kept pace with the times," but he criticized his lack of a personal political stance. By molding his verse always on the sounds of Negro talk, the rhythms of Negro music, by retaining his own keen honesty and directness, his poetic sense and ironic intelligence, he maintained through four decades a readable newness distinctly his own." contains previously unpublished and repeatedly rejected poetry of Hughes from the 1930s. His tales of his troubles with work, women, money, and life in general often reveal, through their very simplicity, the problems of being a poor black man in a racist society. Simple has a tough resilience, however, that won't allow him to brood over a failure very long. "Regrettably, in different poems, he is fatally prone to sympathize with starkly antithetical politics of race," Lieberman commented. Here, the editors have combined it with the artwork of elementary school children at the Harlem School of the Arts. "White folks," Simple once commented, "is the cause of a lot of inconvenience in my life." Simple's musings first appeared in 1942 in "From Here to Yonder," a column Hughes wrote for the critic who noted Simple's addressing of such issues as political correctness, children's rights, and the racist undercurrent behind contraception and sterilization proposals. Dickinson wrote in his that the "charm of Simple lies in his uninhibited pursuit of those two universal goals, understanding and security. "A reader can appreciate his catholicity, his tolerance of all the rival—and mutually hostile—views of his outspoken compatriots, from Martin Luther King to Stokely Carmichael, but we are tempted to ask, what are Hughes' politics? The age demands intellectual commitment from its spokesmen. His voice is as sure, his manner as original, his position as secure as, say Edwin Arlington Robinson's or Robinson Jeffers'. The results, noted Veronica Chambers in the "reflect Hughes's childlike wonder as well as his sense of humor." Chambers also commented on the rhythms of Hughes's words, noting that "children love a good rhyme" and that Hughes gave them "just a simple but seductive taste of the blues." Hughes's poems have been translated into German, French, Spanish, Russian, Yiddish, and Czech; many of them have been set to music. Gibson noted in the introduction to that Hughes "has perhaps the greatest reputation (worldwide) that any black writer has ever had. As with most other humans, he usually fails to achieve either of these goals and sometimes once achieved they disappoint him. A poetry whose chief claim on our attention is moral, rather than aesthetic, must take sides politically." Despite some recent criticism, Hughes's position in the American literary scene seems to be secure. Hughes differed from most of his predecessors among black poets, and (until recently) from those who followed him as well, in that he addressed his poetry to the people, specifically to black people. David Littlejohn wrote that Hughes is "the one sure Negro classic, more certain of permanence than even Baldwin or Ellison or Wright. During the twenties when most American poets were turning inward, writing obscure and esoteric poetry to an ever decreasing audience of readers, Hughes was turning outward, using language and themes, attitudes and ideas familiar to anyone who had the ability simply to read. He has been, unlike most nonblack poets other than Walt Whitman, Vachel Lindsay, and Carl Sandburg, a poet of the people. My plans for the future are learn very well the English, got back to Mexico and. experience will help my grandchildren, so I will write my biography for them.

How to Start a Student Autobiography Easy. - Custom- “Twas mercy brought me from my Pagan land, Taught my benighted soul to understand, That there's a God, that there's a Saviour too: Once I redemption neither sought nor knew. Some view our sable race with scornful eye, "Their color is a diabolic die." Remember, Christians, Negroes, black as Cain, May be refin'd, and join th' angelic train.”Born in Senegal/Gambia in about 1753, poet Phillis Wheatley was brought to Boston, Massachusetts, on a slave ship in 1761 and was purchased by John Wheatley as a personal servant to his wife. The Wheatleys educated Phillis and she soon mastered Latin and Greek, going on to write highly acclaimed poetry. She published her first poem in 1767 and her first volume of verse, A pioneering African-American poet, Phillis Wheatley was born in Senegal/Gambia around 1753. At the age of 8, she was kidnapped and brought to Boston on a slave ship. Upon her arrival, John Wheatley purchased the young girl, who was in fragile health, as a servant for his wife, Susanna. Under the family's direction, Wheatley (who, as was the custom at the time, adopted her master's last name) was taken under Susanna's wing. Her quick intelligence was hard to miss, and as a result, Susanna and her two children taught Wheatley to read and was actively encouraged in her literary pursuits by the household. Wheatley received lessons in theology, English, Latin and Greek. Ancient history was soon folded into the teachings, as were lessons in mythology and literature. At a time when African Americans were discouraged and intimidated from learning how to read and write, Wheatley's life was an anomaly., was published, with the writer having received patronage from Selina Hastings, the Countess of Huntingdon, in England. As proof of her authorship, the volume included a preface in which 17 Boston men, including John Hancock, asserted that she had indeed written the poems in it. A strong supporter of America's fight for independence, Wheatley penned several poems in honor of the Continental Army's commander, George Washington. Wheatley sent one of said works, written in 1775, to the future president, eventually inspiring an invitation to visit him at his headquarters in Cambridge, Massachusetts. Wheatley accepted the offer and visited Washington in March of 1776. Wheatley had traveled to London to promote her poems and received medical treatment for a health ailment that she had been battling. After her return to Boston, Wheatley's life changed significantly. In 1778, Wheatley married a free African American from Boston, John Peters, with whom she had three children, all of whom died in infancy. While ultimately freed from slavery, she was devastated by the deaths of several Wheatley family members, including Susanna (d. Their marriage proved to be a struggle, with the couple battling constant poverty. Ultimately, Wheatley was forced to find work as a maid in a boarding house and lived in squalid, horrifying conditions. Wheatley did continue to write, but the growing tensions with the British and, ultimately, the Revolutionary War, weakened enthusiasm for her poems. While she contacted various publishers, she was unsuccessful in finding support for a second volume of poetry. Phillis Wheatley died in her early 30s in Boston, Massachusetts, on December 5, 1784. I am no Mahatma Gandhi or Steve Jobs—what could I possibly write in my memoir? I don't even know how to start an autobiography, let alone.

Writing How To Turn Your Life Into A Novel Self-Publishing Advice. , introduced the character of Detective Sherlock Holmes. Doyle would go on to write 60 stories about Sherlock Holmes. He also strove to spread his Spiritualism faith through a series of books that were written from 1918 to 1926. Doyle died of a heart attack in Crowborough, England on July 7, 1930. On May 22, 1859, Arthur Conan Doyle was born to an affluent, strict Irish-Catholic family in Edinburgh, Scotland. Although Doyle's family was well-respected in the art world, his father, Charles, who was a life-long alcoholic, had few accomplishments to speak of. Doyle's mother, Mary, was a lively and well-educated woman who loved to read. She particularly delighted in telling her young son outlandish stories. Her great enthusiasm and animation while spinning wild tales sparked the child's imagination. As Doyle would later recall in his biography, "In my early childhood, as far as I can remember anything at all, the vivid stories she would tell me stand out so clearly that they obscure the real facts of my life."At the age of 9, Doyle bid a tearful goodbye to his parents and was shipped off to England, where he would attend Hodder Place, Stonyhurst—a Jesuit preparatory school—from 1868 to 1870. Doyle then went on to study at Stonyhurst College for the next five years. For Doyle, the boarding-school experience was brutal: many of his classmates bullied him, and the school practiced ruthless corporal punishment against its students. Over time, Doyle found solace in his flair for storytelling, and developed an eager audience of younger students. When Doyle graduated from Stonyhurst College in 1876, his parents expected that he would follow in his family's footsteps and study art, so they were surprised when he decided to pursue a medical degree at the University of Edinburgh instead. Joseph Bell, whose keen powers of observation would later inspire Doyle to create his famed fictional detective character, Sherlock Holmes. At the University of Edinburgh, Doyle also had the good fortune to meet classmates and future fellow authors James Barrie and Robert Louis Stevenson. While a medical student, Doyle took his own first stab at writing, with a short story called During Doyle's third year of medical school, he took a ship surgeon's post on a whaling ship sailing for the Arctic Circle. The voyage awakened Doyle's sense of adventure, a feeling that he incorporated into a story, . Back at the University of Edinburgh, Doyle became increasingly invested in Spiritualism or "Psychic religion," a belief system that he would later attempt to spread through a series of his written works. By the time he received his Bachelor of Medicine degree in 1881, Doyle had denounced his Roman Catholic faith. Doyle's first paying job as a doctor took the form of a medical officer's position aboard the steamship Mayumba, travelling from Liverpool to Africa. After his stint on the Mayumba, Doyle settled in Plymouth, England for a time. When his funds were nearly tapped out, he relocated to Portsmouth and opened his first practice. He spent the next few years struggling to balance his burgeoning medical career with his efforts to gain recognition as an author. Doyle would later give up medicine altogether, in order to devote all of his attention to his writing and his faith. In 1885, while still struggling to make it as a writer, Doyle met and married his first wife, Louisa Hawkins. The couple moved to Upper Wimpole Street and had two children, a daughter and a son. While Louisa was ailing, Doyle developed an affection for a young woman named Jean Leckie. Louisa ultimately died of tuberculosis in Doyle's arms, in 1906. The following year, Doyle would remarry to Jean Leckie, with whom he would have two sons and a daughter., which first introduced the wildly popular characters Detective Sherlock Holmes and his assistant, Watson, finally earned Doyle the recognition he had so desired. It was the first of 60 stories that Doyle would pen about Sherlock Holmes over the course of his writing career. Also, in 1887, Doyle submitted two letters about his conversion to Spiritualism to a weekly periodical called (1899). Upon achieving success as a writer, Doyle decided to retire from medicine. Throughout this period, he additionally produced a handful of historical novels including one about the Napoleonic Era called , published in 1901. In 1893, to Doyle's readers' disdain, he had attempted to kill off his Sherlock Holmes character in order to focus more on writing about Spiritualism. In 1901, however, Doyle reintroduced Sherlock Holmes in Having recently been diagnosed with Angina Pectoris, Doyle stubbornly ignored his doctor's warnings, and in the fall of 1929, embarked on a spiritualism tour through the Netherlands. He returned home with chest pains so severe that he needed to be carried on shore, and was thereafter almost entirely bedridden at his home in Crowborough, England. Rising one last time on July 7, 1930, Doyle collapsed and died in his garden while clutching his heart with one hand and holding a flower in the other. Surely what you were writing was an autobiography. When I was writing my blog posts, I'd always let my husband The Englishman. was the core of the novel; the true love story between an English naval officer and a.


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