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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: /hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received 0. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of 5 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of 5 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to ,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for ,000, a credit for

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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Mind you she is Writting now a little story book for a competition and she in the top 3!!!!!! As soon as she heard me talking she knew exactly what was it that I needed to train my English in order to take it to the next level. She is also a writer, producer and acting coach, therefore she's also super creative and helpful when it comes to having to work out some text. She is the real deal right here on Thumbtack - who knew?! When I write the sequel to the work I just finished, I won't hesitate to go straight back to Temi for Round 2. He taught me a lot of tricks for the SAT like how to break down vocabulary words and how to write an essay that will get a high score. I'm so proud, and thankful for Carl's help. Highly recommendable to those who have an advanced level of English, because she is really precise and you get to learn a lot of history on the language. 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Mind you she is Writting now a little story book for a competition and she in the top 3!!!!!! As soon as she heard me talking she knew exactly what was it that I needed to train my English in order to take it to the next level. She is also a writer, producer and acting coach, therefore she's also super creative and helpful when it comes to having to work out some text. She is the real deal right here on Thumbtack - who knew?! When I write the sequel to the work I just finished, I won't hesitate to go straight back to Temi for Round 2. He taught me a lot of tricks for the SAT like how to break down vocabulary words and how to write an essay that will get a high score. I'm so proud, and thankful for Carl's help. Highly recommendable to those who have an advanced level of English, because she is really precise and you get to learn a lot of history on the language. I highly recommend Temi for any aspiring writer to connect with and benefit from - a professional editor with a gift for lending clear, concise changes and suggestions to the work an author has agonized over! I took the SAT once already and after working with Jeff my total score went up 300 points. He gave a lot of homework, but now that I have my higher scores back, I'm glad he did! I cannot say enough about Thinque Prep and Joyee Lin. He is dedicated to his students success and does a very thorough job of preparing them for the ACT or SAT test. Thinque Prep has other services related to tutoring and college application preparation. My son, Zack, who is very bright but requires a lot of patience worked with Joyee over the summer and brought his composite ACT score up from 30 to 33. Zack will be working with Joyee on his college application essays. Joyee is in California and we are in Texas but this was never an issue as the sessions are done via video chat. The office manager Jen was great to work with and the appointment process was easy to navigate. I found the rates to be very competitive for like services. Skip Press displayed outstanding literary writing skills when he edited my romance novel. I really appreciate her outstanding effort in everything that she did to help me with my college work. ~Dana is truly one of the best writers that I have ever worked with, and I have worked with quite a few. I will definitely work with Dana again and I look forward to it! He turned it into an entertaining, compelling, fluent, and beautiful story that will be memorable to all its readers. Just when I thought my form of writing couldn't be organized any better, she triple exceeded those expectations. His writing skills are excellent and his style appeals to the masses. Laura, President of Crackerjack, is a good it gets. Besides, Skip is personable, reliable, and gets the work finished on time without any hassle. Dana is a real professional and he makes the process so easy. I originally went through 4 marketing companies before I met her and I can't say she is anything less than fantastic. As a result of my good experience working with Skip, I highly recommend him to other authors. She is thorough, professional, an incredible writer and really listens to her clients. She has helped me grow my real estate business into something much bigger than I could have ever done without her. She has also become a good friend of mine and I really appreciate what our relationship has become. Patricia has edited for me throughout my graduate school career. She has edited my thesis, graduate school essays, short academic papers, admission essays, etc. Her work is fast, accurate, reasonable, and she always goes the extra mile for me whether it is to re-write to make thoughts as strong as they could be, to have them for me in record time, or to be a friend for me as I go through an academic career. She is the true meaning of a fine person who will always go the extra distance and wants nothing more than to please her clients. Nash has grammar-checked and given notes on five of my finished screenplays. I found her work to be concise and finished in a timely manner. Her grammar-check was always one hundred percent accurate, rivaling that of the local Cray Supercomputer. Nash's notes were always specific, well-informed and expressed with a certain panache. I found myself following her advice on many occasions, resulting in a streamlined and more interesting screenplay. Nash's services regardless of the amount of Best Writer awards that roll in as the liver rolls out. My son who is a high school senior needed someone to review his personal statement for his UC college applications. I requested a writing tutor and Victor Solis of Initia Test Prep responded within the hour! I reviewed his profile and his website and it seemed good. 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Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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,500; runners-up each received 0. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: /hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize:

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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2017. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Should you have a launch scheduled for the Spring of 2017, please let us know where and when. -Mailing address, telephone and email; -An up-to-date list of publications and invited readings; -The locations where you are available to read (ie up to an hour’s drive from your home town) -Your availability during the months between April 2017 and June 2017 Submissions that do not contain ALL the requested information will be deemed ineligible. Readers will be chosen and confirmed in mid April, 2017. EOIs should be submitted to the attention of the Readings Committee at: Email: [email protected] Or Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 Submissions must be received by midnight April 6th, 2017 The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. Do you have a short story–or novel, novella, memoir, article, collection of poems–you feel has promise, but just can’t seem to get accepted for publication? Or a manuscript that has undergone numerous re-writes and is now at the point where you’d like to have an experienced, established writer assess it? This program is designed for writers at all levels who are interested in having their manuscript evaluated by a qualified writer and who are willing to hear constructive criticism. It can be particularly valuable for writers living in rural areas where access to workshops and other literary opportunities are limited. WANL gratefully acknowledges the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. The Writers’ Alliance invites applications from individuals interested in its 2017 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2017. A committee will select and match mentors and apprentices. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. A typewritten, double-spaced, ten-page sample of your work on 8.5 x 11 white paper (poetry submissions are exempt from the double-spacing requirement); include length of manuscript to date (i.e., word count or number of poems)A committee will select and match apprentices with mentors. Before final acceptance, successful apprentices may be asked to provide their full manuscript. Successful applicants will be notified in April 2017. Responsibilities: The Executive Director is responsible for overseeing all aspects of the organization, including: preparing grant applications and reports; fundraising; developing and implementing programs; managing financial records and program budgets; communicating with membership, media, government officials and other arts organizations; supervising staff and volunteers; managing members’ newsletter and website; reporting to the Board of Directors; coordinating board and committee meetings; event planning; and general office duties. Qualifications: The ideal candidate is highly professional and motivated with strong oral, written, interpersonal and leadership skills; fundraising experience; computer proficiency (database management, Excel and Microsoft Office Suite required; Word Press, Mail Chimp and Adobe In Design an asset); knowledge of the provincial writing/publishing industry; knowledge of local arts community and not-for-profit sector; experience with financial recording and budgets as well as managing staff. John’s, NL) –The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are extending the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs) in Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. will be reading in Newfoundland as part of WANL’s Visiting Author Series. John’s Sunday, November 27th, 7PM The Ship Pub Corner Brook Tuesday, November 29th, pm Swirsky’s Theatre and Musical Hall Anakana Schofield was shortlisted for the 2015 Scotiabank Giller Prize for her second novel, In anticipation of Nick Thran’s readings this week at Swirsky’s in Corner Brook (March 31, 8 pm) and at The Ship in St. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. John’s (April 3, 8 pm), WANL member and poet, Don Mc Kay posed several questions, in various modes, to the Trillium award-winning poet and author of Robin Mc Grath was born in Newfoundland, just prior to Confederation. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Award. John’s, NL) – The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions to the 2017 Newfoundland and Labrador Book Awards (NLBAs). She failed two years of high school, but went on to take a Ph D under the supervision of James Reaney at the University of Western Ontario, where she later taught. The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. She was an associate professor of English at the University of Alberta before resigning in 1993 to return to her home province to write full time. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. In 2006 she moved to Labrador with her husband, Judge John Joy. Robin is a member of the Writers’ Union of Canada, the Visual Artists’ Association of Newfoundland and Labrador and the Book Arts Association of Newfoundland and Labrador. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. She is a letterset printer and printmaker and the author of over twenty books. This year we will be presenting the EJ Pratt Poetry Award and Non-fiction Book Award.8. Honours and awards include the Henry Fuerstenberg Canadian Jewish Poetry Award, 1999; the Children’s Book Centre Choice 1999; the Commonwealth Book Award Shortlist, 2003; the Geldert Medal of the Royal Philatelic Society of Canada, 2004; the Newfoundland and Labrador Heritage and History Award, 2004; and the Helen and Stan Vine Canadian Jewish Book Award for Fiction, 2010. Books that contain other media in addition to writing (photos, CDs, graphics, etc. She is on the Board of the Labrador Creative Arts Festival, and the Editorial Advisory Committee of the Newfoundland Quarterly, and is a volunteer with Them Days Magazine and Archive and the Lawrence O’Brien Arts Centre. by the writer or other artists) are eligible provided there is only one writer. DEADLINE EXTENDED Spring Tides is an annual reading series held between March and June showcasing new and established writers. The award will be given only to the writer of the book’s text and only for the writing. Join us on Sunday, November 20th, at 430pm at The Crow’s Nest Officers’ Club in St. Best of luck to all of these great writers: Michael Crummey – Sweetland. The series presents four to five readings – usually two in St. The Newfoundland & Labrador Book Awards are a partnership between the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. For Children’s/YA: Janet Mc Naughton’s “Dear Canada – Flame and Ashes”. John’s and others around the province – each featuring two writers. Announcing the winners of the 2015 Heritage and History Book Awards! Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. Tina Traverse is a passionate writer, avid reader, a self-proclaimed Autism Warrior Mom and Proud Newfie Gal. Tina hails from a quaint little hamlet on a quaint little island known as Canada’s youngest province, Newfoundland. The desire for writing came at an early age when she wrote her spin on the Bible’s Good Samaritan story for her third-grade class. When she fell off the traditional publishing path, Tina stumbled onto an exciting new path called, self-publishing. It’s been a thrilling journey, publishing not only her work, but being a part of numerous anthologies. The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) invite submissions to the 2016 Newfoundland and Labrador Book Awards (NLBAs). The NLBAs celebrate and honour excellence in writing by authors in Canada’s easternmost province. Eligible submissions are adjudicated by independent juries recruited and facilitated by WANL. These awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature presented in even years, and Poetry and Non-fiction presented in alternate years. The Newfoundland and Labrador Fiction Award and the Bruneau Family Foundation Children’s/Young Adult Literature Award will be awarded in 2016. The Writers’ Alliance invites applications from individuals interested in its 2016 Mentorship Program for Emerging Writers. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in Spring 2016, pending funding. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Remuneration will be up to $2,000, funding pending. A committee will select and match mentors and apprentices., is set. To date, she has written forty short stories and has won, or been short-listed in, several contests. The idea for this novel emerged when her ninety-three year old father told her a true tale of a little girl who had survived the 1929 tsunami. Her work appears in literary magazines and anthologies in Canada and the United States and she’s recently released a picture book titled The 2015 winner was announced on November 10 at Government House in St. Annie was a long-time teacher before she delved into writing. John’s at a ceremony hosted by The Honourable Frank F. Her novel won the 2012 Houston Writers Guild Novel Contest and received the B. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. Taylor was presented with a cheque for $5,000, a credit for $1,000 in professional editing services, and an engraved miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder for her winning manuscript. Runners-up Sharon Bala, for her novel Writers’ Alliance of Newfoundland and Labrador Annual General Meeting October 25, 2015 pm Cox & Palmer Second Space LSPU Hall 3 Victoria Street St. Roanie will be discussing Access Copyright’s ongoing efforts to transform and make the use of paid or licensed content significantly more convenient than relying on free content. Their work was chosen from submissions of fiction, poetry and creative non-fiction. Fagan, Lieutenant Governor of Newfoundland and Labrador and Her Honour Mrs. The biennial award is presented by the Literary Arts Foundation of Newfoundland and Labrador in partnership with the Writers’ Alliance of Newfoundland and Labrador. Roanie will also touch on the licensing challenges currently facing Access Copyright, including the impact of the education sector’s “fair dealing” guidelines, which promote the copying of content without compensation for creators and publishers. The 2015 nominees will read from their short-listed works at Christina Parker Gallery in St. The winner will be announced at the Awards Ceremony at Government House on Tuesday, November 10, and will receive a cash prize of $5,000 and $1,000 towards professional editing services. This program is generously supported with funding by The Writers’ Alliance of Newfoundland and Labrador sends out its deepest condolences to Gerry Squires’ family. Gerry was, and still is, an important figure in the arts community of Newfoundland and Labrador, and his passing will be seen as a huge loss to all. Arts NL offers condolences on the passing of former council member and visual artist Gerry Squires October 5, 2015 (St. John’s, NL) – Arts NL wishes to offer heartfelt condolences to the family of Gerry Squires on the sad occasion of his passing. “Newfoundland and Labrador has lost a great artistic talent in Gerry Squires,” said executive director Reg Winsor today. “Gerry was not only an exceptional visual artist; he was a passionate and pensive commentator and activist for the provincial arts and cultural sector. He also spent a number of years involved with Arts NL as a member of Council, and we were deeply thankful for his contributions and very dedicated efforts in that capacity.” Gerry Squires’ body of work included the dramatic Newfoundland and Labrador landscape paintings in both acrylic and oil that he was perhaps most well known for. But he was also a skillful sculptor and recognized for his lithography and stained glass work. Squires spent several years as an illustrator for the which often published his line drawings of historic churches and street scenes. Returning to the province in 1969, he lived in Exploits Valley and Bonne Bay before moving to Ferryland in 1971. There, he settled in the iconic lighthouse where he worked as an artist in residence and educator for Memorial University. In 1992 the university presented him with an Honourary Doctorate, complementing the education he received from Danforth Technical School and the Ontario College of Art & Design. He established Headland Studios in Ferryland as well, which gave him space to focus on his steel sculpture work in tandem with his painting. Gerry relocated again in 1983, this time to Holyrood. A year later Arts NL would present him with the Ted Drover Award for Achievement in Visual Arts and he was also inducted into its Arts Hall of Honour in 2007. Gerry Squires was invested into the Order of Canada in 1999 and received a Queen Elizabeth II Jubilee Medal in 2003, as well as being made a member of the Royal Canadian Academy of Arts. His work is found within the provincial art gallery’s permanent collection, the National Gallery of Canada, and at the Montreal Museum of Fine Arts to name but a few collections. The Art Gallery of Newfoundland and Labrador organized a retrospective show in September 1998 called that revisited his then four decade long career. Over the years that Gerry worked as a professional artist, his work was included in more than 300 solo and group exhibitions. Media enquiries: Joshua Jamieson, Communications Officer, Arts NL Phone: 709.726.2212 ext. 203; Toll free: 1 (866) 726-2212 (NL only) E-mail [email protected]; visit: by government, reflecting regional representation of the province. This includes 10 professional artists who provide sectoral representation of the arts community; one community representative (with an interest in the arts); one business representative (with an interest in the arts); and one representative of the Department of Business, Tourism, Culture and Rural Development (non-voting). Arts NL receives an annual contribution of $2.1 million from the Province to support a variety of granting programs, program delivery, office administration, and communications. It also seeks support from the public and private sector. It supports the following artistic disciplines: dance, film, multidiscipline, music, theatre, visual art, and writing. The Writers’ Alliance of Newfoundland and Labrador (WANL) invites applications for an Executive Assistant Position: Part-time, one-year maternity leave replacement Location: St. John’s, NL The Organization: WANL is a non-profit, membership-based organization that supports writing and writers in NL. As the provincial literary sector organization, WANL has numerous programs and services to assist writers in all stages of their career, increase public awareness of the province’s authors and literary arts, and to help build the provincial literary industry. Pratt Poetry Award: Mary Dalton and Michael Crummey Non-Fiction Award: Janet Merlo and Alan Doyle Winning authors each received a cash prize: $1,500; runners-up each received $500. Responsibilities: The Executive Assistant reports to the Executive Director and is responsible for: communications (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), membership (maintaining membership renewals and database), and general office operations. We would like to thank our sponsors: The Jimmy Pratt Foundation And, thank our supporters: The Telegram Perfect Day Newfoundland & Labrador Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. The EA also assists with event planning and promotion, the administration of WANL programs and services, and provides assistance to various committees. Qualifications: Strong interpersonal, verbal and written communication skills; strong computer skills (MS Word, Access, Excel, website maintenance, FB, Twitter); preferably experience with desktop publishing (Adobe In Design); strong organizational and time management skills with the ability to multitask and prioritize duties; attention to detail; facility in managing enquiries from the public and members about writing and/or WANL initiatives; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. Angela Antle (CBC) and Greg Malone (author and actor) were the judges and worked really hard to narrow down the submissions as there were many great entries. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The position operates out of the Writers’ Alliance office in St. The ideal candidate possesses an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. WANL is looking for a volunteer to help manage the Resource Library; containing books, magazines, etc, donated by publishers and authors in and around the province. Remuneration: $15/hour, 25 hours/week Please send your cover letter, resume, including 2 references, to: Hiring Committee, c/o Alison Dyer (e-mail) [email protected] with subject line: EA Position (or mail): 208-223 Duckworth St., St. However, only those selected for an interview will be contacted. The volunteer would come in once a month to update the Library database to keep it current, keep track of and maintain the list of books borrowed and assist with general maintenance of the Library. If you are interested, please e-mail [email protected] with the Subject “Resource Library Volunteer“. (Goose Lane Editions) When: Tuesday, May 26, 8 PM Where: The Ship Pub, Duckworth St, St. John’s Please come out in support of this great Newfoundland and Labrador literary event. ————————————————————— The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. We would like to thank our sponsors: The Jimmy Pratt Foundation The Telegram Perfect Day Newfoundland Teacher’s Association The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, CM, ONL, MBA, Lieutenant Governor of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. The juries have read and debated and now have named the finalists for the 2015 Newfoundland and Labrador book awards, given this year for Non-fiction and Poetry. The shortlist for the Newfoundland and Labrador Non-Fiction Award is comprised of three very different books—but all are first books for their authors. Alan Doyle for (Goose Lane Editions) The winners will be announced at a ceremony on May 27th at Government House. Winning authors each receive a cash prize: $1,500 for first place; each of the other shortlisted authors will receive $500. Public readings of the shortlisted authors will be announced soon. The Newfoundland and Labrador Book Awards are presented by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador. Only books written by residents of Newfoundland and Labrador (living in the province three of the past five years) are eligible for the award. 2015 WANL-Winterest Emerging Writers’ Workshop Emerging writers are invited to take part in an intense, inspirational learning opportunity this August. Winterset in Summer Literary Festival, in partnership with the Writers’ Alliance of Newfoundland and Labrador (WANL), invites applications from individuals interested in participating in a full-day Emerging Writers’ Workshop on August 6, 2015 in Eastport. in the Afternoon: Passion, Inspiration, Practicality and Perseverance.” Participants will have the opportunity to learn from two award-winning Canadian writers: • Richard Gwyn, columnist and author including the highly praised biographies of Pierre Trudeau and Joey Smallwood, and founder of the Winterset in Summer Literary Festival. Macdonald, and Winner of the 2013 Stephen Leacock Award for Humour Writing. The workshop is free of charge for those writers selected to participate by WANL’s adjudicator. The workshop is supported through Winterset’s Outreach program, which encourages the development of emerging writers in Newfoundland and Labrador. PROGRAM ELIGIBILITY Who can apply to attend the workshop? It will consist of two sessions: “Morning Role Call: Developing Character by Detail”, and “P. The workshop is for emerging writers currently residing in Newfoundland and Labrador. “Emerging writer” for the purpose of this workshop is defined as someone who has published few or no professionally published books. Applicants may have authored articles, essays, poems or short stories published in print or online, but this is not a requirement. The one-day workshop is Thursday, August 6, 2015 from 9 AM to 4 PM. It will be held in Happy Adventure on the Eastport Peninsula, and occur as part of the Winterset in Summer Literary Festival. The festival will offer emerging writers the opportunity to meet and mingle with some of our country’s finest authors. The one-day workshop is free of charge to selected participants. Lunch and snacks will be included; however, travel and accommodations are the responsibility of those selected to attend. A travel and accommodation subsidy of $50 is available from WANL upon request. Interested writers must complete an application form and provide a short statement (250 words or less) on why they would benefit and what they hope to gain from the workshop. All participants will receive a free ticket to the New Voices Panel on Saturday afternoon at ; this panel focuses on new writers and their challenges and successes in becoming published. Deadline: June 1, 2015 (Successful applicants will be notified in mid-June.) Full details and application form, click here . The Writers’ Alliance of Newfoundland and Labrador (WANL) in partnership with the Literary Arts Foundation of Newfoundland and Labrador is calling for submissions to one of the country’s most lucrative literary awards for unpublished writers: the Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre. ) will be reading in: North West River, Labrador March 22 – 24 (details to come) Grenfell Arts and Science Extension Atrium, Corner Brook Thursday, March 26, 8 PM Eastern Edge Gallery, St. The winning author will receive: a cash prize of $5,000; $1,000 towards professional editing services; and a miniature replica of “Man Nailed to a Fish” by sculptor Jim Maunder. John’s Friday, March 27, 8 PM CLOSED The 3rd Annual WANL Postcard Story Contest The Writers’ Alliance of Newfoundland and Labrador, in partnership with Broken Books and the Newfoundland Quarterly, is now accepting submissions of original, unpublished stories of 250 words or less that include the word ‘broken.’ This year’s judges are author/actor Greg Malone, and Angela Antle, host of CBC Radio’s ‘WAM.’ THE RULES • The contest is open to all residents of Newfoundland and Labrador over the age of nineteen (19). • Stories (fiction, non-fiction, or creative non-fiction) must be in English. • Word count must be a maximum of 250 and must include the word “broken”. • Stories must be unpublished (in print or online) and not currently submitted to any other contest or publication. • Entries must be typed, double-spaced in 12pt font. • Blind judging: do not indicate your name on the story itself. Instead, provide the following information on a cover page, or in the body of an e-mail: author’s name, mailing address, e-mail address, phone number, story title, and word count. • Deadline: April 24, 2015 e-mail date or postmarked SUBMISSION ADDRESSES Mail: Postcard Story Contest Writers’ Alliance of Newfoundland and Labrador Haymarket Square 208-223 Duckworth Street St. John’s NL A1C 6N1 E-mail: -Use the subject line “Postcard Story Contest”. -Provide contact information and title of story in the body of the e-mail. -Send to [email protected] Winner: $250 & publication of story in the Newfoundland Quarterly (Summer 2015 issue) Runners-up: $50 Broken Books Gift Certificate & publication in the Newfoundland Quarterly (Summer 2015 issue) Finalists may be requested to engage in an editing process with TNQ editor prior to publication. The contest winner and runners-up will be announced at an event in mid-June. THE FINE PRINT WANL, Broken Books, and TNQ staff, contract employees, and board members and are not eligible. TNQ takes first serial rights of winning entries only for print. For further information, contact the Writers’ Alliance: 709.739.5215, [email protected] and can’t think of a better reason than that to have a get-together… The 2014 WANL Emerging Writers Mentorship Program …And since last year, we didn’t have an opportunity to formally congratulate those who were selected for the 2014 WANL Emerging Writers Mentorship Program, we thought you’d probably love to hear readings by the 2014 Mentorship Program Apprentices! When: Sunday, March 1, 8 PM – PM Where: The Ship, Duckworth St The Writers’ Alliance is pleased to announce it will again be offering a Manuscript Evaluation Service to members. The program is designed for writers at all levels who are interested in having their manuscript evaluated by a professional, established writer. All genres of writing, and manuscripts of any length, are welcome. The service is available on a first-come, first-serve basis. The Alliance is updating its pool of qualified evaluators and is seeking applications from interested individuals. Evaluators are expected to provide specific comments on content, writing technique, steps to take to develop the manuscript, and responses to three questions submitted by the author. Applicants must be members of the Writers’ Alliance of Newfoundland and Labrador. Preference will be given to those individuals with the following: a. experience with professional editing and manuscript evaluation b. experience with adjudicating writing competitions and contests c. review publications Please submit a CV, including those genres you are interested in evaluating, to: Alison Dyer, Executive Director Writers’ Alliance of Newfoundland and Labrador 208-223 Duckworth Street, Haymarket Square St. John’s, NL A1C 6N1 Or submit by e-mail to: [email protected] WANL gratefully acknowledges: the Government of Newfoundland & Labrador, Department of Business, Innovation, Tourism, Culture, and Rural Development; and the City of St. John’s for their support of WANL’s essential programs and services for writers and the literary sector. is an annual reading series held between March and June that showcases new and established writers. The series presents four to five readings – usually two in St. John’s and two to three elsewhere in the province – each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brief Q & A following the reading. WANL provides an honorarium of $125 to each reader. WANL seeks expressions of interest (EOI) from writers who would like to participate in this series during 2015. Preference will be given to writers who have a recently published book. (Please note: Submitting an expression of interest does not guarantee you a reading spot in this series.) Eligibility 1) Participation in this series is open only to WANL members in good standing. If you are not a current WANL member or your membership has lapsed, you may join or renew at the time you submit an EOI. 2) Writers who read in this series in 2014 are not eligible. Submissions Guidelines Expressions of interest must include: 1) Mailing address, telephone and email; 2) An up-to-date list of publications and readings; 3) The month(s) between March and June 2015 that you are available to read. EOIs should be submitted to the attention of the Readings Committee at: Writers’ Alliance of Newfoundland and Labrador 223 Duckworth Street, Suite 208 St. John’s, NL, A1C 6N1 E-mail: [email protected] Readers will be chosen and confirmed in late February 2015. Submissions Deadline: Friday, January 30, 2015 (postmark date) The WANL Readings Committee is interested in hearing from WANL members who would like to act as local organizers for a Spring Tides Reading in their community. Expressing interest does not guarantee that a reading will be held in your community, but it will help the committee to get a sense of where there might be support for an event. Interested volunteer organizers should contact [email protected] by Friday, January 23, 2015. On our Member’s Directory page you will be able to include (1) a small jpeg photo (2) a 300-word bio (3) your name (4) location (city/town) If you are interested, please respond to [email protected] with the above information. Once your information is received, it will be placed on the Member’s Directory page and you will subsequently be sent a password and log in instructions with details on how to access and edit your information. Once you have received your member-specific password and log-in instructions, you will be able to log in to change the password to something easier to remember and change your username. Should any new information arise, such as new e-mail address, location, etc, you will be able to access your information to update it as need be. For those of you who have already submitted information, please look out for an e-mail with log in details and instructions sent to your inbox next week. WANL will be hosting the 2014 Heritage & History Book Awards at their annual Holiday party. There will be brief readings by the shortlisted authors followed by an awards presentation to the winners for Fiction and Children’s/Young Adult literature. Fiction The 2014 Heritage and History Book Awards are sponsored by the Historic Sites Association and co-presented with WANL. The 2014 Heritage & History Book Awards Ceremony will take place at the WANL annual Holiday party. In 2004 the HSA established a two-part award for excellence in the use of Newfoundland and Labrador history in the creation of a writer’s work. The HSA is proud to support the work of writers in this province through the Heritage and History award. Call for Submissions The Newfoundland & Labrador Book Awards honour excellence in writing. Pratt Poetry Award and the Nonfiction Award will be given in 2015. The awards are open only to residents of Newfoundland and Labrador. To meet the residency requirements, the author must have lived in Newfoundland and Labrador for at least 36 months of the last 5 years. These juried awards cover a two-calendar-year publishing period, with pairings of Fiction and Children’s/Young Adult Literature awarded in even years, and Poetry and Nonfiction awarded in alternate years. The winners receive a cash prize of $1,500; each runners-up receive $500. The residency period for the 2015 awards is the five calendar years 2010-2014. Deadline: January 9, 2015 (postmark date) CLOSED Call for Applications The Writers’ Alliance invites applications from individuals interested in the 2015 Emerging Writers Mentorship Program. Applicants to both the mentor and apprentice positions are being sought. The apprentice position is designed for writers who have a substantial work-in-progress and who are committed to the creative development of their writing. The mentor position is designed for writers with a history of publication and a commitment to the craft of writing. Each apprentice will be matched with a mentor to work on a one-to-one basis over an intensive five-month period beginning in March 2015, pending funding. PROGRAM ELIGIBILITY WANL members in good standing with a substantial work-in-progress in any genre; Individuals prepared for a disciplined, focused period of work during which writing is a priority; Individuals who did not participate in this program in 2014. WANL members in good standing who are working in any genre; Individuals who have a significant publication history and some mentorship or teaching experience; Individuals who did not participate in this program in 2014. Mentors are expected to contribute 25 hours to in-person conferencing (where possible) and 25 hours to reading/prep work, or some combination thereof, to this program. Deadline: January 12, 2015 (for both apprentice and mentor positions) On October 26, WANL held its AGM, electing the following Board of Directors: President: Denise Flint VP: Chad Pelley Secretary: Paul Whittle Treasurer: Emily Deming Member at Large: Lynette Adams Member at Large: William Pryse-Phillips Date: Friday, October 24, PM Venue: Eastern Edge Gallery, St. Remuneration will be $2,000, funding pending, to be paid in two instalments: half at the commencement of the mentorship; half at its completion. John’s Event: Public Reading by 2014 Griffin Poetry Prize Finalist Sue Goyette Date: Saturday, October 25, 9 AM – 5 PM Venue: Canon Wood Hall, Military Rd, St. John’s Event: Professional development workshops Date: Sunday, October 26, 1 PM Venue: Eastern Edge Gallery Event: Annual General Meeting & Election of WANL Officers, following screenings of three Cinepoetry shorts (by local poets & filmmakers) and readings of the three filmed poems by Danielle Devereaux, Leslie Vryenhoek and Shoshanna Wingate Turning Up the Heat: The Sizzle of Self-publishing in the Romance Genre with Victoria Barbour Getting Away with Murder: Forensics and the Fiction Writer with Jo Anne Soper Cook Medical Myths and Errors in Fantasy and Science Fiction with Susan Mac Donald The Impulse to Tell All: Writing the Memoir with Greg Malone Imaginings: A Poetry Workshop with Sue Goyette What’s the Magic Potion for Being a Successful Children’s Writer? moderated by Charis Cotter with local publisher Marnie Parsons, children’s author Susan Chalker Browne, and illustrator Anne Mac Leod For more information: E-mail or call Nikki, [email protected] or 709.739.5215 *E-mail or call Alison, [email protected] or 709.739.5215 *Travel subsidy available for members, first come basis. 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Mind you she is Writting now a little story book for a competition and she in the top 3!!!!!! As soon as she heard me talking she knew exactly what was it that I needed to train my English in order to take it to the next level. She is also a writer, producer and acting coach, therefore she's also super creative and helpful when it comes to having to work out some text. She is the real deal right here on Thumbtack - who knew?! When I write the sequel to the work I just finished, I won't hesitate to go straight back to Temi for Round 2. He taught me a lot of tricks for the SAT like how to break down vocabulary words and how to write an essay that will get a high score. I'm so proud, and thankful for Carl's help. Highly recommendable to those who have an advanced level of English, because she is really precise and you get to learn a lot of history on the language. 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Mind you she is Writting now a little story book for a competition and she in the top 3!!!!!! As soon as she heard me talking she knew exactly what was it that I needed to train my English in order to take it to the next level. She is also a writer, producer and acting coach, therefore she's also super creative and helpful when it comes to having to work out some text. She is the real deal right here on Thumbtack - who knew?! When I write the sequel to the work I just finished, I won't hesitate to go straight back to Temi for Round 2. He taught me a lot of tricks for the SAT like how to break down vocabulary words and how to write an essay that will get a high score. I'm so proud, and thankful for Carl's help. Highly recommendable to those who have an advanced level of English, because she is really precise and you get to learn a lot of history on the language. I highly recommend Temi for any aspiring writer to connect with and benefit from - a professional editor with a gift for lending clear, concise changes and suggestions to the work an author has agonized over! I took the SAT once already and after working with Jeff my total score went up 300 points. He gave a lot of homework, but now that I have my higher scores back, I'm glad he did! I cannot say enough about Thinque Prep and Joyee Lin. He is dedicated to his students success and does a very thorough job of preparing them for the ACT or SAT test. Thinque Prep has other services related to tutoring and college application preparation. My son, Zack, who is very bright but requires a lot of patience worked with Joyee over the summer and brought his composite ACT score up from 30 to 33. Zack will be working with Joyee on his college application essays. Joyee is in California and we are in Texas but this was never an issue as the sessions are done via video chat. The office manager Jen was great to work with and the appointment process was easy to navigate. I found the rates to be very competitive for like services. Skip Press displayed outstanding literary writing skills when he edited my romance novel. I really appreciate her outstanding effort in everything that she did to help me with my college work. ~Dana is truly one of the best writers that I have ever worked with, and I have worked with quite a few. I will definitely work with Dana again and I look forward to it! He turned it into an entertaining, compelling, fluent, and beautiful story that will be memorable to all its readers. Just when I thought my form of writing couldn't be organized any better, she triple exceeded those expectations. His writing skills are excellent and his style appeals to the masses. Laura, President of Crackerjack, is a good it gets. Besides, Skip is personable, reliable, and gets the work finished on time without any hassle. Dana is a real professional and he makes the process so easy. I originally went through 4 marketing companies before I met her and I can't say she is anything less than fantastic. As a result of my good experience working with Skip, I highly recommend him to other authors. She is thorough, professional, an incredible writer and really listens to her clients. She has helped me grow my real estate business into something much bigger than I could have ever done without her. She has also become a good friend of mine and I really appreciate what our relationship has become. Patricia has edited for me throughout my graduate school career. She has edited my thesis, graduate school essays, short academic papers, admission essays, etc. Her work is fast, accurate, reasonable, and she always goes the extra mile for me whether it is to re-write to make thoughts as strong as they could be, to have them for me in record time, or to be a friend for me as I go through an academic career. She is the true meaning of a fine person who will always go the extra distance and wants nothing more than to please her clients. Nash has grammar-checked and given notes on five of my finished screenplays. I found her work to be concise and finished in a timely manner. Her grammar-check was always one hundred percent accurate, rivaling that of the local Cray Supercomputer. Nash's notes were always specific, well-informed and expressed with a certain panache. I found myself following her advice on many occasions, resulting in a streamlined and more interesting screenplay. Nash's services regardless of the amount of Best Writer awards that roll in as the liver rolls out. My son who is a high school senior needed someone to review his personal statement for his UC college applications. I requested a writing tutor and Victor Solis of Initia Test Prep responded within the hour! I reviewed his profile and his website and it seemed good. I was impressed of how Victor reviewed my son's essays in a short amount of time and gave important recommendations. He also answered any questions that I had about UC schools, admissions, etc. I highly recommend Victor Solis and Initia Test Prep. Caroline created a succinct, detailed schedule of Bible verses, feast days, and services for an action packed church retreat weekend. Her scheduling ability enabled the weekend to be a complete success. She has also performed as an effective leader in conducting monthly guild meetings. She inspires others to "get out of the box" and take a learning opportunity risk to grow. She is an excellent facilitator, self starter, and leader. He knows how to identify his audience and write accordingly in a way that's genuinely engaging. He has written and edited web copy, blogs advertising and more for us with fantastic results. Patrick has worked both as my manager and mentor, as well as someone I have hired as a freelance copy editor. 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Write My Paper • Best Professional The Writers’ Alliance of Newfoundland & Labrador (WANL) is seeking expressions of interest from emerging poets who would like to participate in a reading to be held on August 8, 2018 in St. The biennial award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. (For you word nerds, that’s about 4 pages of non-fiction double spaced! JOHN’S, NL) The Literary Arts Foundation of Newfoundland and Labrador (LAFNL) and the Writers’ Alliance of Newfoundland and Labrador (WANL) are pleased to announce the winners of the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers. Thanks to the Faculty of Humanities and Social Sciences and the Department of English, both events are free and all are welcome. For Friday’s reading, there will be free parking in MUN lot 15b.“If you have an exciting story that fits the theme [‘My first time’] – one that takes about 4 minutes to tell – we’d love to read it. Pratt Lecture will be delivered by George Elliott Clarke on Thursday March 8th at 8 p.m. His lecture is titled The Quest for a “National” Nationalism: E. Pratt’s “ epic” ambition, “ race” consciousness, and the contradictions of “ Canadian” identity. in Suncor Hall, in the Music Building at Memorial, there will be a staged reading of Lennox Brown’s play, The Captive, the first play by an African-Canadian writer to appear in print. The award is presented by LAFNL in partnership with WANL. In kind sponsors for the 2017 NLCU Fresh Fish Award were Perfect Day, Christina Parker Gallery, On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. Tell us about yourself and the type of writing you do, or that interests you. So it will overtake me for weeks or months at a time and then I will need to move to performance or music or media for a while. I am a performance and media artist, activist and musician. Are there people and activities that have helped you advance your writing? My early career was about songwriting and creating scripts for the theatre stage. The single most useful thing has been feedback from other writers – through dramaturgy, small writers’ groups, written comments from adjudicators, informal chats. I started writing fiction seriously about fifteen years ago and my favourite playgrounds are science fiction, speculative fiction, the near future, and alternate realities. On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. This week, we’re profiling the three talented WANL members who made the award’s shortlist. My background is in visual art, so I often respond to visual material in my writing, sometimes by writing poems about photographs, or including my own photographs in essays. My Optic Nerve book is about photography and seeing. I like to walk a lot, and sometimes write about landscape and history. My favourite writer right now is Robert Macfarlane. In high school I spent a summer in rural Quebec as part of an exchange program. I kept a journal, and I think of that journal as when I really started writing. My journals from back then are a mishmash of drawings, collages and writing. A couple of years ago I participated in the WANL Emerging Writers Mentorship Program, mentored by Mark Callanan. It was a great experience, and Mark really helped me focus this collection of poems and shape them into a book. John’s in particular has such a welcoming writing community – take an evening creative writing class at MUN, go to readings and workshops, join a writing group, apply for the Mentorship Program! If you don’t live in town, you can take classes remotely, or start something in your own community. In early 2016 my best friend got sick, and that prompted me to reevaluate my priorities, which led to me writing again. Are there people and activities that have helped you advance your writing? On Thursday, November 23, the winner of the 2017 Newfoundland and Labrador Credit Union Fresh Fish Award will be announced. Aiming for stories that are compelling, accessible, and hopefully feel true. Favourites lately are Michael Winter, George Saunders, and Lorrie Moore. I started writing in my early 20s (I’m 35) and tried, unsuccessfully, to write a novel. Because (a) it was therapeutic, and (b) life’s too short to not at least try to do what you really want. I’m also inspired by previous failures – saying I’d do something and never again wanting to admit defeat. I’ve been helped by so many I know I’ll miss someone. This week, we’re profiling the three talented WANL members who made the award’s shortlist. What inspires your writing and keeps you motivated? First, Meg Coles directed me to WANL, where I met Carmella Gray-Cosgrove, who was so warm and generous, and who then wrangled me an invitation to my writing group, The Naked Parade, who’ve been instrumental in making the last year productive and bright. The Department of English is delighted to welcome acclaimed graphic novelist Jillian Tamaki, who will be reading from her work on Monday, November 13th, at 8 p.m. Tell us about yourself and the type of writing you do, or that interests you. I’m inspired by the talent and passion that abounds in this city – not only in writing, but in all creative work. Carmella also suggested I take courses at MUN, where I found the tutelage of Lisa Moore (!!! in Innovation Hall (IIC-2001) in the Agnes Bruneau Centre. ), in whose classes most of these stories [in the Fresh Fish manuscript] were born. Tamaki is the author of , for which she won the Governor General’s Award for Children’s Illustration. I’ve also had the privilege to be awarded one of WANL’s mentorship programs, where I’ve worked one-on-one with Ed Kavanagh. Her illustrations have appeared in Walrus, The New York Times, The New Yorker, and The Washington Post. The shortlist for the 2017 Newfoundland and Labrador Credit Union (NLCU) Fresh Fish Award for Emerging Writers was announced today in St. The announcement followed the Writers’ Alliance of Newfoundland and Labrador’s (WANL) Annual General Meeting held at The Lantern. Any advice or recommendations for future submitters to Fresh Fish? And take some of the creative writing workshops at Memorial. The award, generously sponsored by the Newfoundland and Labrador Credit Union, is awarded to the best unpublished manuscript written by a resident of the province who has not published a book, or who has not had a book accepted for publication, in any genre on any platform or in any media at the time of submission. The award is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.“Newfoundlanders and Labradorians are known throughout the world for their natural creativity, unique language, and knack for storytelling. It’s who we are,” says Allison Chaytor-Loveys, Chief Executive Officer of the Newfoundland and Labrador Credit Union (NLCU). “As a sponsor of the NLCU Fresh Fish Award we are honoured to provide the financial support to ensure the tradition flourishes by recognizing and rewarding the talented writers right here in our province.”Memorial University’s Department of English is delighted to welcome celebrated poet, novelist, essayist, and dramatist George Elliott Clarke to Memorial University. Clarke will read from Canticles, the lyric-styled epic-in-progress he describes as his magnum opus. Du Bois, reflecting on John Brown, Melville’s meteor of the US Civil War. A brilliant fusion of Dante’s Divine Comedy and Pound’s Cantos, Canticles “views History as a web of imperialism, enslavement, and insurrection” as described by a fiery array of witnesses, from Cleopatra to Sally Hemings, from Napoléon, brooding on the revolution in Saint Domingue, to W. Canada’s 7th Parliamentary Poet Laureate, Clarke is the author of Whylah Falls, Execution Poems, Beatrice Chancy, and The Motorcyclist. in Arts 1046, on the first floor of the Arts and Administration Building. Members must be in attendance to vote; voting cannot be done by proxy. Membership payment can be made at the door with cash, cheque, or credit card (Visa, Master Card, Discover, or American Express)., a social event that welcome members to give a 3-minute reading of any original, unpublished work. Bring along your unpublished writing to share in a welcoming environment. Each 3-Minute Throwdown participant will be entered into a prize draw. We would like to send out huge congratulations to WANL members Matthew Hollett and Sarah Bennett for their successes in the 2017 CBC Nonfiction Prize. Your attendance is very important to help ensure we have quorum for the meeting. Matthew placed on the Longlist and Sarah was selected for the Shortlist. If you are planning to attend, a RSVP would be greatly appreciated. Both writers are amazing talents and we are so proud to have them as part of our alliance. We will be keeping our fingers crossed that Sarah brings the prize home. On August 24, 2017, Patrick O’Flaherty was laid to rest. Patrick was a writer, historian, educator, friend, and, to many, an inspiration. In honour of Patrick, Bill Rowe, who gave the eulogy at Patrick’s funeral, has graciously shared his notes with us. I am so honoured, dear Marjorie, and Keir, Peter, and Paddy, to be asked to speak about Patrick, my friend and mentor, because I loved the man. Patrick was a kind and gentle man in person – maybe not so much in his writing – and I saw that side of his nature often, but multiplied many times over yesterday in the family photographs, especially in his interactions with his grandchildren. As one of his sons, Peter, told me, he was very loving and attentive to his children and grandchildren, and he knew how to listen to his grandchildren; he really listened to them. I have to say off the top, though, that I didn’t realize until I saw the photos in the funeral home how photogenic the guy was. He might have missed his calling: he should have been a heart-throb movie star. I’ve admired Patrick since I first met him in 1958 in my first year at Memorial University on the old Parade Street campus. I was fifteen years old, and what a pleasant culture shock it was to be able to mix with the big men on campus like Peter Neary, Bob O’Driscoll, George Ivany, and others, and Patrick himself. They were all eighteen years old or so, and senior students, and so-o-o intellectually savvy in literature and history. But Patrick, I soon found, had all the time in the world to talk to us in the library and common room, and to edge us in the right direction towards solving the world’s problems. Lawrence’s was removed from state censorship and no longer banned. What attracted me to Patrick most from the beginning was that he always seemed to have a different insight into events, a different take, from everyone else, on happenings around us. Everyone was jumping up and down: at last we were going to be able to read what all the risqué fuss was about. But Patrick said to me at the time: “That’s the big problem with banning books. It makes people want to waste time reading what is essentially very boring.”Patrick always told me how much he loved the old Memorial. He got his BA at 20, his MA at 21, and his Ph D in London at 24. Then he was on his way to an incredibly full lifetime of literary criticism, teaching at university, writing books – fifteen in all – and innumerable articles, reviews, letters to the editor, media commentary and programming on radio and television. His greatest loves, apart from his family, were writing and reading. His idol, and one of his great subjects for both reading and writing, was Samuel Johnson, the most bookish of all great men. Johnson defined “bookish” in his dictionary as “given to books, acquainted only with books;” finishing with this zinger: “It is generally used . He spent time vegetable gardening, fishing, sawing wood, and cleaving junks, and he always had a physical project on the go. His last project at their residence in King’s Cove was a splitting table, a piece of furniture used by his own forbears, whom he depicted so well, for survival in their precarious occupation. And far from keeping his nose buried in musty tomes, he loved to watch the Blue Jays. Johnson said, “Curiosity is one of the most permanent and certain characteristics of a vigorous intellect.” And Patrick had that in spades. But he wasn’t content to just be a receptacle of knowledge; he on his observations and findings. I doubt if there was a time in his adult life when he wasn’t writing a newspaper column or commenting in the media, nationally and locally, on public events and developments. His last commentary involved the writing of an article in response to the Economist magazine. That international periodical contained a piece in a recent issue on Newfoundland and Labrador called a “Dodgy Dam in the East” – yes, you guessed it, Muskrat Falls. Newfoundland and Labrador has a history of backing ill-conceived projects, the magazine said, and then went on with a scathing description, some items dubious at best. Patrick never got his chance to correct the misconceptions, but he was intent on it, and you can be sure it would have been a doozy. Patrick was not a knee-jerk contrarian, but he could not abide “received opinion” or conventional wisdom that struck him as wrongheaded, especially about Newfoundland. He demanded accuracy, and scorned over-sentimental tripe. Witness his takes on some icons and idols of our history in his ground-breaking 1979 book, [I found some conveniently listed for me in a review of the book]: Church of England missionary, Edward Wix, he wrote, “was an ecclesiastical snoop and prig”; famous military engineer, Sir Richard Bonnycastle, represented “imperialist bluster and military pomposity”; our own celebrated historian, D. Prowse, “enveloped the history of the country more thoroughly than ever in a cloud of misunderstanding”; writer Harold Horwood succeeded mainly in providing “a distorted picture of Newfoundland to foreign readers”. Patrick wrote, “Soon after settling in Newfoundland in 1962, Mowat set about becoming their saviour. He would ultimately find that this was a perilous undertaking…. While his analysis contains a germ of truth, the general picture given of developments in post-confederation Newfoundland has to be rejected as simple-minded.” I mean to say, how could you not love this man Patrick O’Flaherty? Patrick’s retirement at 55 from Memorial to concentrate entirely on his writing and commentary was a courageous move. He gave up a secure position after 30 years, wherein he’d been a professor and head of the Department of English, and much beloved by students who had flocked to his legendary Newfoundland literature courses. And he said back then with a laugh that he was now a “recovering academic.” He had to live entirely by his wits now, he told me, and he therefore hoped that he would only half-starve. But long before that, the placid groves of academe could scarcely contain him. He had to run in politics – twice, once federally and once provincially. In neither case did he seek out a seat for a party where he was sure to win. In the 1979 federal election, for example, with the polls showing Pierre Trudeau and the Liberals on the skids, he chose to run, not only for those very Liberals, but against the incumbent Tory juggernaut in St. He didn’t win, but he came second to John with over 10 thousand votes, beating Tom Mayo, the excellent NDP candidate, who’d come second to John in the previous election. Quite a feat for Patrick, really, and a clear indication of how ordinary mortals regarded this dynamic down-to-earth campaigner who, on the hustings, as I’d witnessed myself, and as Keir certainly did, was in no danger of being mistaken for an ivory-towered highbrow. He ranged from acting as a judge for Reach for the Top, where he was known for his inspiring pep-talks to competitors, to encouraging and advising emerging Newfoundland writers. He was co-founder of the Writers’ Alliance of Newfoundland and Labrador for the support and camaraderie of other writers. WANL, in gratitude made him an honorary life member. I know he was a great help to me and others in getting our own books out, often simply in encouragement and talk – a note in the mail box or an email saying what he liked about a particular volume, a constructive mention in a column, a long gab over a coffee about our respective projects. Modest and self-effacing himself, I remember his warning to me that writers should not become too full of themselves. (I don’t know where that came from.) He cited his beloved Dr. Johnson in that regard: “Read over your compositions, and wherever you meet with a passage which you think is particularly fine, The last big chat we had was at Coffee Matters not long before he and Marjorie left for King’s Cove for the summer. I was just finishing a book on our worst and best political leaders, to come out this fall. That’s good, he said, you’ll now be rid of those last few political friends you’re still saddled with. Patrick himself was recognized across the nation as a magnificent writer. I once asked internationally admired author, Jane Urquhart, when she was writer in residence at Memorial, who she thought were among the best of Newfoundland writers, and she replied in the blink of an eye with… Patrick O’Flaherty., a year or so ago, I found them all admirable, but I had to send him an email stating in inflated prose that the story “Stuck on Ophelia,” was a masterpiece. I was tickled pink when he wrote back to ask if he could use my statement as a blurb for a book cover. In it, as a young man, Pratt walks along Patrick’s part of the Newfoundland coastline flogging bottles of snake-oil, called Universal Lung Healer, to powerless, desperate Newfoundlanders suffering from consumption. Like many, I was also delighted to read in the same volume the strong dose of reality in his story, “The Hawker,” modelled on the Newfoundland-Canadian poet E. You can imagine how Patrick treated that, and it was not with the light-heartedness of some who have marveled with amusement over how far the great poet forged ahead in Toronto after those first twenty-five years in Newfoundland. One of the marvels of Patrick’s scholarly non-fiction was how eminently readable it was. Johnson’s dictum that “A man will turn over half a library to make one book.” The staff at the Centre for Newfoundland Studies can surely testify to that. The titles of Patrick’s histories give you good hint of his drift: the evocative Patrick became a fully rounded, complete, and brilliant man of many interests and talents. I’d say “Renaissance man,” except that I know he’d take me to task for employing such a woefully overused, overstuffed, description. He had a full and active life to be celebrated and honoured, and it has been, and is being, and will be. Among other awards were membership in the Newfoundland Arts Hall of Honour, an honorary doctorate from Memorial University, and national recognition in the Order of Canada. He was taken from us far too early with much left to be done, but like the essentially outdoors man he was – hiking, fishing, boating, gardening, swimming, all with Marjorie – he left us while pursuing exactly the kind of outdoors activity he loved best. Patrick O’Flaherty, writer, historian, educator, and Writers’ Alliance of NL lifetime member, was identified today as the swimmer who went missing on the Bonavista Peninsula earlier this week.(July 4, 2017 – St. John’s, NL) The Writers’ Alliance of Newfoundland and Labrador (WANL) and the Literary Arts Foundation of Newfoundland and Labrador (LAFNL) are pleased to announce the call for submissions for one of the country’s most lucrative literary awards for unpublished writers: The Newfoundland and Labrador Credit Union Fresh Fish Award for Emerging Writers. The Award, generously sponsored by the Newfoundland and Labrador Credit Union, is intended to serve as an incentive for emerging writers in the province by providing them with financial support, recognition, and professional editing services for a book-length manuscript in any genre.​”We are proud to continue to support emerging talent in our writing community through the Newfoundland and Labrador Credit Union Fresh Fish Award,” says Allison Chaytor-Loveys, Chief Executive Officer of NLCU. “We sponsor this award because we think it’s an excellent way to highlight and encourage the strong tradition of literary arts in our province.”“I had no previous literary credentials before winning the NLCU Fresh Fish award. It was life changing,” says Susie Taylor, winner of the 2015 Fresh Fish Award. “Winning Fresh Fish has given me many opportunities; I’ve been asked to read at SPARKS [Literary Festival] and Lawnya Vawnya, worked with editor Susan Rendell, and made connections with other writers. I feel particularly lucky to have had the chance to meet the other finalists Sharon Bala and Eva Crocker. Fresh Fish has given me the confidence to write harder and submit harder. Every new writer with an unpublished manuscript should join WANL and submit to Fresh Fish.” The Writers’ Alliance is happy to announce the pairings for the 2017 Emerging Writers Mentorship Program. This year’s pairs are: Allie Duff with Agnes Walsh, Diane Carley with Megan Gail Coles, Terry Doyle with Ed Kavanagh, and Sarah Smellie with Marjorie Doyle. The WANL Emerging Writers Mentorship program is designed to serve the needs of emerging Newfoundland and Labrador writers who are committed to the development of their writing. It is aimed at writers who are on the cusp of professional publication and who have a substantial work-in-progress. Emphasis is on producing a work ready for the marketplace. Apprentices are matched with senior writers, with whom they work on a one-to-one basis over an intensive five-month period. Her fiction has been a finalist for The Giller Prize, has won the Canada Reads competition and shined a light on numerous other Newfoundland authors simply by their proximity to her talent. Lisa also teaches creative writing at Memorial University. John’s/Avalon board representative Terry Doyle sat down with her to talk about the courses offered at MUN and why writers might enroll. LM: We offer classes at different levels in creative non-fiction, which I like to say is exactly the same as fiction except it’s true. So you’re talking about memoir, exploring the essay form, biography, autobiography, making a story out of the truth. Rob Finley teaches this, and he’s also developing a course about writing and place. We also offer fiction courses where people experiment with form and craft. They sometimes write in response to prompts that get people thinking about technique and style. We talk about creating dialogue, plot construction, imagery, setting, timing, everything that goes in to writing fiction. I am hoping to develop a podcast writing course and, in a couple of my classes, we’ve developed a couple of podcasts already. I’m learning about editing podcasts this semester, so I want to get people thinking about that way of telling stories: oral stories, drama for the radio. So, those are just some of the creative writing offerings. We have an introduction class [this summer] for students who will do all of those genres in that class – a 2000 level course. This is an opportunity for anyone starting out with creative writing classes. And we’ve had a number of writers in residence – Michael Crummey, Sara Tilley was writer in residence. I’m also teaching a third year Creative Writing Fiction course this summer. We had John Barton who is an editor for the Malahat Review, so that’s really great because not only was he able to advise on all kinds of genres, he was able to give information about publishing, getting your stories out there. Teaching in the summer is really fun, and sometimes people can take advantage of these time slots, who otherwise might not be able to attend, during the fall and winter. Sara Tilley did amazing projects, one of them culminating in the reading of a collectively written play, which was hilarious. Who teaches or has taught creative writing at Memorial? LM: There’s a writer who is available to the community, not just students, and those who have a manuscript or an idea or have writing questions that they want to ask a writer can make appointments with the Writer-in-Residence. We’ve mentioned yourself, Robert Findlay, Mary Dalton, Robert Chafe, who else? Different writers in residence offer different kinds of services to the community. So, for instance, one of the projects that Ed Riche did, he’s done a ton of radio; he developed a little series of podcasts that were adaptations of Newfoundland short stories. That series then played on CMHR and other places as well. LM: Students, often, who are doing the creative writing diploma. Or grad students and then people from the community who know they have a story and they want to figure out how to develop it, there’s tons of those. LM: Well we were stormed out and had to very quickly re-jig the whole project and so innovation came from that experience. For the first time we had a visual artist: Philippa Jones. And her work is very narrative, so she was a tremendous addition. And when I say students I mean people who are pouring their life’s blood into being writers, so it’s not like they’re writers in waiting, they are already writers who are perfecting their craft, as we all are, but there’s no sense of anybody being a Sunday painter or anything, these are people who are really driven to make beautiful art and those pieces were fresh and vivid and exciting. And then we had a panel for the first time where the talk was about place. We had Justin Brake talking about Muskrat Falls, alongside of Mary Dalton talking about cadence and dialect in Newfoundland, language, and how all of that coalesces into poetry. It seemed like at Sparks there were a lot of different kinds of writers. It really felt like in that environment there was room for all kinds of styles, which I found surprising. Do you think that sometimes the local literary scene can be intimidating or difficult to navigate for emerging writers? LM: The way I entered upon a writing community in Newfoundland was through a creative writing course taught by Larry Mathews. After that class was over, we kept meeting, for almost thirty years now, in fact. The creative writing classes here at Memorial are also continuing to meet. But even within the class, a community forms because people work so closely together. Work-shopping also makes people less intimidated about sharing their work, because once you’ve been through that fire, a group advising you about your work, you become seasoned in a certain way. But you also recognize what’s at stake, that writing matters to a great deal of people, and it matters a lot. I would like to think that it’s not too intimidating, or if it is there are avenues in. Just like WANL, another good avenue into meeting people and getting to avail of the mentorships program and all of that, there are different ways in and it’s important that people recognize that everybody who is involved in writing wants to foster writing. Part of the great thing about being a teacher is that you get to see experimentation every day. You get to see people who are attacking a problem in fresh new ways, and also are on top of literature that’s new. I am constantly influenced by the things my students read, what they’re telling me about, what they’re trying to do with their writing. LM: I teach a literature course as well as creative writing and in that class I’m teaching other people’s work and it means that I really have to pour over novels that I read for pleasure and really take apart the nuts and bolts and see what they’re saying and see how they fit into a social, political and aesthetic context along with other novels. Creating lectures about these books really keeps me excited about literature. If I have to come into a classroom and talk about writing, how it works, what it does and what it can do, how to solve problems, that’s very inspiring. I’m trying to think if there’s anything that’s not teachable and I’m not sure if there is. I think people have a voice and they have a notion of the kind of things they want to say. Then there are all kinds of tools to help, that allow people to tell stories that are gripping, that make our hearts beat. There are all kinds of ways to play with language that we can talk about. And a sense of community – readers and writers together. But I know from writing myself that when I read it to other people and get feedback I am inspired by that feedback, as I’m inspired when I read. You’ve got a lot of hands looking at where a story might be going off the rails and how to reign it back in. I think the kind of person who’s interested in doing creative writing is already not interested in writing the same thing as the person sitting next to them. So I don’t think there’s anything that can’t be taught, and yet what I have discovered is that the stuff that comes out of creative writing classes is always unique to the writer. They’re already burning with a desire to tell the story they need to tell. John’s, NL Responsibilities: The Member Services Coordinator reports to the Executive Director and is responsible for: membership (maintaining membership renewals and database), communications to our membership and the literary community (weekly e-bulletin, quarterly newsletter layout, maintaining website, updating social media), and general office administration, including our resource room. The Member Services Coordinator also assists with event planning, the delivery of WANL programs and services, and provides assistance to various committees, including sitting on our Membership Committee. Qualifications: Strong interpersonal, verbal and written communication skills; strong organizational and time management skills with the ability to multitask and prioritize duties; proficiency in use of Microsoft Office Suite and Word Press; experience updating social media channels; experience in newsletter layout/design (Adobe In Design); attention to detail; facility in managing interactions with the public and service providers; enthusiasm for the local writing scene; and basic knowledge of the publishing industry. The position operates out of the Writers’ Alliance office in St. The ideal candidate will also possess an energetic and upbeat attitude, initiative, the ability to work alone and also as part of a team. Remuneration: $15/hour, 25 hours/week Please send your cover letter, CV, including 2 references, to the Hiring Committee, c/o Wendi Smallwood at [email protected] with subject line: Member Services Coordinator We thank all those who apply. The four runners-up— John Nick Jeddore, Elder and James Mc Leod for Non-Fiction; and Michael Crummey and Robin Durnford for Poetry; each received $500. However, only those selected for an interview will be contacted. The NL Book Awards consider books released in the two previous years. In even-numbered years, fiction and children’s/YA literature are recognized, in alternate years; works of non-fiction and poetry are recognized. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. The 2017 NL Book Awards Non-Fiction category was supported by contributions from Killick Capital, Cox & Palmer and Don Power. Thanks to everyone who stopped by our table for a chat and participated in our communal writing project. In kind sponsors for the 2017 Book Awards were April 28th-30th, the Writer’s Alliance attended its first ever Sci-fi on the Rock Festival. One line or paragraph at a time, contributors constructed a handful of stories with some of the most acrobatic plot twists we’ve ever seen. Along with admiring the attendees’ amazing costumes and the wares of local artists, we met tonnes of local writers working in the sci-fi and fantasy genres. Once darkness had taken over the street, then the rooster raced away. He stumbled through the darkness, focused on nothing but returning to the love of his life, Helen. Helen was a lovely white hen who he had loved for years. He raced on for her until he came to the edge of a great lake. The water was so clear he could see the red of his feathers reflected back up at him. The clouds in the sky parted and the goddess, Hele Kat, looked down at him with pity as the gunman ran towards to cornered rooster. At the goddess’ command, the waters parted for the rooster to cross through. Bullets flew after him, but the crows flew into them, sacrificing themselves for the rooster.“Helen is in another castle,” the crows read, cursing the oracle who wrote the prophesy. With a sigh they took off, going to the next castle, where they found Helen after doing battle with a giant turtle. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include The Telegram, Perfect Day and the NL Teacher’s Association.(April 6, 2016 – St. John’s, NL) The juries have read and debated and have named the finalists for the prestigious Newfoundland and Labrador Book Awards. This year the Awards honour excellence in the categories of Non-Fiction and Poetry. The Newfoundland & Labrador Book Awards are sponsored by the Literary Arts Foundation of Newfoundland and Labrador and administered by the Writers’ Alliance of Newfoundland and Labrador under the distinguished patronage of The Honourable Frank Fagan, Lieutenant Governor of Newfoundland and Labrador. Other sponsors this year include This historical book takes a timeless subject and leaves no stone unturned in its inclusivity of data in a well researched and well organized form. The book includes additional literary material which makes it interactive and entertaining. It is unique in the sense that it is like being in a museum and touching the artifacts of the soldiers from so long ago. is an unsentimental record of a life lived, of a Conne River Indian who respects the tradition he was born into and recognizes its vulnerability to a newer age. It links his 1920’s boyhood and young manhood to those who came before him, who shared the same closeness to the land and the animals that inhabited it. Jeddore’s senses are finely tuned; his narrative makes it easy to hear the sound of hooves on the hard ground, the padding of hairy paws, the taste of pancakes fried in beaver fat, and smell the venison cooking. James Mc Leod has deked away from the safety of his calling as a legislative scribe, to reveal the truth about Newfoundland and Labrador’s topsy-turvy political tableau. Through his eyes, we scope the hiccups and at times hilarious struggles of imperfect politicians, whatever their political stripe. The selection from earlier volumes attests to this author’s ease with the speaking voice in his work, as well as his ability to tease out the poetic implications of a nugget of image or story. No one escapes his critical eye, or the irreverence he brings to his unique narrative. Crummey’s poetry is in the tradition of Wordsworth, work that strives to capture everyday experience. The “New Poems” section, which makes up about one-quarter of the book, displays those strengths are filled with longing: longing for the land and speech of outport Newfoundland, longing for a lost parent or grandparent, longing for a time before the current threat of ecological destruction. The collection is ambitious, navigating childbirth, parenthood, and teenage reminiscences without succumbing to the saccharine. Durnford’s language is energetic to the point of crackling; crow-like, she gathers the shiniest bits of European tradition and adds to them pieces of her own ancestral vernacular and lore.continues to explore territory travelled in Patrick Warner’s other works; contemporary life is reflected at times through a Swiftian lens. The satire is often phantasmagoric, with elements of dream or of a carnival funhouse. An important strain of this new book is its enquiry into the nature of lyric and of mind. Warner’s skill with image and the musical resources of poetry makes Spring Tides is an annual reading series held between April and June showcasing new and established writers. The series presents four to five readings with each featuring two writers. Each featured writer reads for approximately 20 minutes and participates in a brie